Many of these songs find an amative counterpoint to the rustic blues-folk musings often, the romantic overspills threaten teasingly toward concupiscence and the singer skilfully manages a thrilling escape, leaving behind the impressionable sentiments of his storied loves. Later, the singer submits to a seduction in groove even stronger on “The Other Side of Love”, a boxy metronomic shuffle of sheer gorgeous pop, working a rhythm both sensuous and muscular it’s a most palatial entry in a catalogue of work that has expanded over time with beautifully crisp and deeply-observed songwriting. Single “Home” offers a luxuriously windswept romance of galloping drums and the mist of airy synths it’s the sound of cowboys going lush in the wine-soaked blaze of a prairie ride. A fairly innocuous opening number, the track is undoubtedly the best introduction to Savoretti’s voice, which unfolds its many shades and textures over the course of the album. Opening with the gentle swing of “Back to Me”, Savoretti betrays what has become his singular trademark: a chocolate-liquored rasp that glazes over sweetly and thick. An invention of pure drama, Written in Scars is a work of simple, clean and utterly delectable pop that has the panoramic sweep of cinema. Savoretti’s latest still retains the rustic folk elements he’s been refining throughout his career, but those elements are now housed in pop structures that are at once familiar and wonderfully imaginative. Seeing as how the singer’s experiments with the admittedly unfashionable roots music has served him so well, it’s a little surprising to find him return to the more pop-oriented efforts of his first two releases on Written in Scars. Having at last hit his stride, Savoretti toured extensively in support of the album and became a live favourite. Shedding much of the previous pop influences of his prior work, Before the Storm explored the rootsier ends of rock, dipping generously into Americana and Piedmont blues. It was the album that finally awarded the singer success and captured audiences’ attention across the European continent. Pulling a last ditch effort, Savoretti came up a winner with the blues-soaked melodrama of his third album, 2012’s Before the Storm. Despite being a far more developed work than his debut, the album was received with even less attention and Savoretti toyed with the idea of throwing in the towel. Returning in 2009 with Harder Than Easy, Savoretti stripped back the pop-leanings and focused more intently on the folk elements, widening the perimeters of his songcraft slightly to experiment with blues-based rock. His debut, Between the Minds, was pleasant enough folk-pop, but it failed to catch on with audiences. Singer-songwriter Jack Savoretti has been working the music scene since 2007, but it wasn’t until a few years ago that he truly began to make any strides in the industry.
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